Hong Kong Sacred Spaces visits Eric Fok’s art exhibit titled “Far East Chronicle”

Karin Weber Gallery
Far East Chronicle by Eric Fok

Please read the review of Eric’s Art Book published in 2016 by Wendi Song from the October 2016 edition of the Lifestyle Magazine Macau Closer

The book is available from Join Publishing (HK).

THE CITY AND THE PARADISE

Artist Eric Fok has just launched his first book: Paradise When Antique Maps Meet Modern Cities

Jointly published by Join Publishing (H.K.) Co., Ltd and local magazine NEW GEN. Monthly, with publishing funds partly provided by the Macau Culture Bureau, local Macau artist Eric Fok’s new book, Paradise: When Antique Maps Meet Modern Cities, has just been launched and is now on sale in Macau, Hong Kong, and Taiwan.

Published in Chinese and English, with a first print of 1,400 copies, the new book features 60 selected pieces from over 200 pieces in Eric’s Paradise series, that he been working on since 2012.  Included in the book is a print of  his first-sale Paradise No.15Paradise No.11 and No.16  which were selected for the 50thBologna Illustrators Exhibition; the awarded piece Paradise No.20 of the Portuguese Orient Foundation; and the work Heung San O Lee Ba which he specially created for the 5th Macau Literary Festival based on the Festival’s theme: “Tang Xianzu in Macau”.

Eric has been using ancient western map styles to discuss the problems and issues that come along with the development of modern cities. On specially made brown drawing paper, Eric uses needle lines to depict the past and present of Macau, as well as some other post-colonial cities like Hong Kong and Singapore, and Taipei.

Like many local schools, Eric’s school didn’t really teach Macau history. His own interest in Macau’s history was trigged in 2012 when the gaming industry was booming and Cotai was full of construction sites. On one occasion Eric found an old map of Macau and noticed the coastline had changed a lot. It was quite a shock to him. Therefore, with many questions, he started to read relevant books, watch films, and go to libraries; he even tried reading Portuguese references, in order to search for the past of Macau.

“The city has been decaying and developing in turns; to review its history is also a rethink,” says Eric.

Eric then started to draw his own observations and thoughts about the city. Some of his works show an old map of Macau occupied by crowded casino shuttle buses, big casino buildings standing in the centre of the city two or three hundred years ago, a group of early Portuguese explorers from 1513 chasing after a taxi refusing to take passengers, or trying to get on a crowded bus…

In his Paradise series, Eric not only draws about Macau but also of some European cities from the Age of Discovery and other post-colonial cities. In doing so, the artist hopes to find some answers to his questions about Macau and to understand the development of other cities.

Also featured in his new book is a scroll named Paradise: Hong Kong. In this painting, Eric depicts when British merchant ships landed in Hong Kong over a hundred years ago, together with the present-day modern buildings alongside the Victoria Harbour. And if you look closely, you can see many tents on the bridge with journalists taking photos – a familiar scene of the protest movement that happened to the city two years ago.

“I wanted to draw about Hong Kong’s past and present, to examine the opinions about the Umbrella Revolution; it was a very important historical event,” Eric explains. “I was looking for solutions when I started to draw. I read each city’s developing stories; some teach you about the experiences, some teach you lessons. However, gradually I realized not everything is that simple and easy to change, especially when you do care about the city,” Eric comments emotionally.

“What can we do? What can we change? ” Eric writes in his book’s preface. “I confess that I do not have the courage to step up and protest, but perhaps I can record my thoughts and questions for this society and generation with my technical pen at best.”

Paradise: When Antique Maps Meet Modern Cities by Eric Fok

Text from From Karin Weber website…

Karin Weber Gallery is pleased to present artist Eric Fok’s debut solo exhibition in Hong Kong during the Hong Kong Art Week.

Following the tremendous success of his joint exhibition in our gallery last year, Eric returns to Hong Kong with exquisitely crafted works made on fine paper, wood and leather.  Delving into his own imagination, fantasies, knowledge of world history, antique maps and legends and careful observation of cityscapes, Fok converts the gallery into his personal library.  An eclectic collection of maps, records and objects are presented which chronicle the evolvement of cities following the Age of Exploration, postcolonial phenomenon and impact of migration of population in the Hong Kong context.

Maps existed before written words. Eric’s ‘maps’ have the capability to open worlds of reality and imagination.  They evoke hopes and fears.  They also pose graphic challenges as Eric strenuously draws on a very small scale, which entails formidable difficulty.

‘Wunderkammer’, ‘golden era’, ‘heritage’ and ‘paradise’ are the keywords of his eagerly awaited solo exhibition in Hong Kong.

About the Artist:

Eric Fok (b. 1990) graduated from the Macao Polytechnic Institute and currently lives and works in Macao and Taipei. Eric has taken part in many exhibitions in Macao, Taiwan, China, Portugal and Spain. His works form part of several prestigious public collections including the Macau Government Headquarters (Governor’s Palace), Cultural Affairs Bureau of the Macau S.A.R., Oriental Foundation, Macau Museum of Art, The Orient Museum (Portugal), University Museum and Art Gallery (HKU), and private collections in Hong Kong, Macau, China, Taiwan, Singapore, Italy, USA and United Kingdom.

Karin Weber Gallery

 

 

View Eric Fok’s “Far East Chronicle” Exhibit

View Eric Fok’s “Far East Chronicle” Exhibit

@ karinwebergallery
Far East Chronicle by Eric Fok

I’ve been following Eric Fok ever since the publication of his “Paradise: When Antique Maps Meet Modern Cities”. Anyone who’s ever looked at “Age of Discovery” European maps will find Eric’s tea-stained ink drawings infinitely interesting. At first, they look like maps from 400 years ago with ships and sea-monster but when you take a closer look you’ll see renaissance businessmen with mobile phones and hydrofoil Macau ferries next to Portuguese Caravels.

Finally, Eric’s work will be showcased in Hong Kong at the Karin Weber Gallery across from PMQ on Hollywood Road. Why not take a break from the Holiday shopping madness and spend an hour viewing this most interesting exhibit.

From the website:

“Karin Weber Gallery is pleased to present artist Eric Fok’s debut solo exhibition in Hong Kong during the Hong Kong Art Week.

Following the tremendous success of his joint exhibition in our gallery last year, Eric returns to Hong Kong with exquisitely crafted works made on fine paper, wood, and leather. Delving into his own imagination, fantasies, knowledge of world history, antique maps and legends and careful observation of cityscapes, Fok converts the gallery into his personal library. An eclectic collection of maps, records and objects are presented which chronicle the evolvement of cities following the Age of Exploration, postcolonial phenomenon and impact of migration of population in the Hong Kong context.

Maps existed before written words. Eric’s ‘maps’ have the capability to open worlds of reality and imagination. They evoke hopes and fears. They also pose graphic challenges as Eric strenuously draws on a very small scale, which entails formidable difficulty.

‘Wunderkammer’, ‘golden era’, ‘heritage’ and ‘paradise’ are the keywords of his eagerly awaited solo exhibition in Hong Kong.

About the Artist:

Eric Fok (b. 1990) graduated from the Macao Polytechnic Institute and currently lives and works in Macao and Taipei. Eric has taken part in many exhibitions in Macao, Taiwan, China, Portugal and Spain. His works form part of several prestigious public collections including the Macau Government Headquarters (Governor’s Palace), Cultural Affairs Bureau of the Macau S.A.R., Oriental Foundation, Macau Museum of Art, The Orient Museum (Portugal), University Museum and Art Gallery (HKU), and private collections in Hong Kong, Macau, China, Taiwan, Singapore, Italy, USA and United Kingdom.”