Book Panel Event Roundup

Hong Kong Sacred Spaces has a great time listening to Dr. Wessie Ling and fellow paneling unpack the complex topic of fashion in the Chinese context.

The upcoming “Fashion in Multiple Chinas” covers various topics on the theme of Chinese Fashion in the “transglobal” space.  The contributors all come at the subject from different perspectives but this volume is destined to be on the bookshelf of many who are interested in the sprawling topic.


Hong Kong Sacred Spaces had a wonderful time yesterday at #cp in #miraplaceone to listen to an insightful panel…

Posted by Hong Kong Sacred Spaces on Thursday, 17 May 2018

The book will be available from at the end of May 2018



A Visit to the Ko Shan Cantonese Opera Theatre / 高山劇場 with Hong Kong Sacred Spaces

I’ve been trying to learn about Cantonese Opera / 粵劇 ever since I moved to Hong Kong. Of all the artistic endeavors that are unique to South China, none evokes such a strong opinion. Cantonese Opera is often overshadowed by its aristocratic Beijing /京剧 cousin or the “Grande Dame” of Chinese Opera Kunqu 崑曲.  Cantonese Opera with its fantastical makeup and acrobatics can seem to some garish and unrefined. Yet what is less controversial about it is its importance to Cantonese Society itself. It is the glue that connects the past to modern life. It does this through festivals, in theatres performances, on late night television and over the crackle of an old speaker during a lonely late-night taxi ride through Wan Chai. The lamentations of the Faa Daan / 花旦 (young female character) and the fierce roar of the Mou Sang / 武生 (warrior) are, I’m told, the heart and soul of Guangdong.

The Ko Shan Theatre and the New Wing Cantonese Opera Education and Information Centre remains one of this City’s premier Cantonese Opera performance spaces.

If you’re in Hong Kong why not come along with Hong Kong Sacred Spaces on Saturday 12 May 2018 at 1:45 PM in the afternoon for a FREE English tour of the Ko Shan Theatre and the Centre. You’ll surely learn more about Cantonese Opera and who knows, you might even (heaven forbid) catch the Opera Bug!

There are several buses that stop along both Chatham and Ko Shan Roads running parallel to the Ko Shan Theatre. Please check specific bus schedules for details: 5, 5A, 5P, 11, 14, 26, 28, 93K, 101, 107, 108, 111, 116, A22 and 28MS. We’ll meet at the park directly in front of the theatre.

-Photo from the Ko Shan Website.

Chasing the Ghost of Suzie Wong Event Followup

One-sheet movie poster from “The World of Suzie Wong”

The image of Suzie Wong on the Fragrant “Star” Ferry in her long elegant cheongsam / 長衫 is one of the most iconic images of mid-twentieth century Hong Kong.  It is also one of the most troubling. For everything about Suzie and her “world” is false, conjured up by Richard Mason, a British RAF intelligence officer turned writer, living in Hong Kong in the 1950s.  And yet the book that was written (and the movie made) about her refuses to leave us. She’s stuck somehow in our collective consciousness.  Is Suzie an empowered young woman or is she a hapless victim? Is she an example of plucky Cold War Hong Kong or a shameful reminder of the poverty and turmoil of its past.  The debate, I’m sure, will rage on (and on) but in the meantime, I think it’s helpful to visit the places that represent Suzie. The Fenwick Pier, Spring Garden Lane / 春園街, Luk Kwok Hotel 六國飯店 and other locations in and around Wan Chai that can help us to dissect the myth and come to terms with why Suzie is still with us today. Perhaps in walking the same Wan Chai streets, we’ll find what it is about her and her story that we love or love to hate so much.


Publicity Photo from WSW featuring Nancy Kwan

On April 21, 2018, Hong Kong Sacred Spaces Society hosted a community walking tour were Society Members joined in a conversation about Suzie and the Wan Chai she would have inhabited.

Our walk started in the new Harcourt Garden behind Police Headquarters on Arsenal Street.  We walked East towards Fenwick to the site of the former Fenwick Pier Boat Landing, across Hennessey and then over the Pacific Place 3 ending on Star Street.  We then walked across Sau Wa Fong / 秀華坊 Street to Ship Street then heading down to Queen’s Road East stopping at the Hung Shing Temple / 洪聖古廟 and continuing on to Stone Nulla Lane.  After a brief look at the restored Blue House and the Old Wan Chai Market, we headed down Wan Chai Road then Cross Street over to Spring Garden Lane.  Finally, we used the Wan Chai MTR Station Pedestrian Flyover to walk to Connaught Road to the Luk Kok Hotel where we ended our day.

Original Royal Naval Canteen from Historic Postcard.
  • The Fenwick Pier Area (Former Servicemen’s Guides Association, Fleet Arcade, and Site of China Fleet Club, Hong Kong) The landing site for almost all American serviceman in Wan Chai during the Vietnam War Era.  A gateway of sorts controlled by the US Military Police (MPs) who would regularly patrol the area’s most notorious bars.  Primary Theme: SOFA ( Status of Force Agreement) and the lesser known VFA (Visiting Force Agreement).  Secondary Theme: PTSD or Post Traumatic Stress Disorder.
  • Ship Street /船街 and surrounding area.  One of the first commercial warehouse districts in Hong Kong which consequently has one of the first Red Light Districts in the Late Nineteenth Century Hong.  The area lost out to the emergent Taikoo in present-day Causeway Bay.
  • Hung Shing Temple /洪聖古廟  Hung Shing  / 洪聖 was a Tang Dynasty Official who’s Queen’s Road East Temple runs along Wan Chai’s ancient shoreline.
Historical postcard of original Spring Garden Lane along Praya or Waterfront.
Historic snapshot of the so-called “Big Numbered” brothels that lined Spring Garden Lane prior to and after the Pacific War.
  • Spring Garden Lane /春園街 and Old Wan Chai Wet Market / 灣仔街市  This is an important stop in the imaginary world of Suzie Wong as this is the site of the Nam Kwok Hotel where the protagonist artist Robert Lomax played by William Holden lives and works.
  • Luk Kwok Hotel 六國飯店 (Currently Gloucester Luk Kwok Hotel) The actual site (not building) where Richard Mason author of “The World of Suzie Wong” worked during his stay here in Hong Kong.  Nothing like the fictional hotel, the current iteration has a Suzie shrine that we’ll all get to see.

One-sheet for “To Whom It May Concern”
Yes, that’s right homework.  I really feel that if you don’t AT LEAST watch the original movie “The World of Suzie Wong” you’re not going to get the most out of this event.  There are many ways both legal and illegal to watch the film. I’ll leave it to you. However, here’s a link to’s streaming service where you can watch it for a couple of bucks.  While you’re at it you can read the book on the Kindle platform.
by Sheridan Prasso
Once you’re done with that you can check out fellow Hong Kong Sacred Spaces member Sheridan Prasso’s “Asian Mystique: Dragon Ladies, Geisha Girls, and Our Fantasies of the Exotic Orient”  An excellent primer of this sprawling topic.  I also strongly recommend the autobiographical documentary “To Whom it May Concern: Ka Shen’s Journey”. A film highlighting Nancy Kwan’s important role in Cinema in general and Hong Kong Cinema specifically as one of the first popular biracial actresses working in Hollywood.
For a more local perspective on the Suzie Wong myth, I can recommend the hard to find “My Name Ain’t Suzie 花街時代 ” (trailer here) directed by Angela Chan 陳安琪.  Intense, and a little sad “My Name Ain’t Suzie” is a nice comparison to WSW.
If you’re more of a literary type you can compare “A Many Splendored Thing” written by Han Suyin / 韓素音 and the Hollywood movie with a slightly different title again starring William Holden from 1955. The film also stars (jarringly) Jennifer Jones in Yellow Face. It won an Academy Award for Best Picture among other things and if you watch “Love is a Many Splendored Thing” FIRST, you’ll see just how refreshing Nancy Kwan’s “Suzie” really is.

New Event Alert! Attend Exclusive Guqin / 古琴 Recital with Master John Thompson

John Thompson

Although I like to run a tight ship in terms of scheduling events here at Sacred Spaces every once and a while something comes up that prompts a “drop everything” moment. Having an opportunity to hear a renowned Guqin / 古琴 Master in a Daoist Sacred Space definitely fits that description. On March 4, 2018, at 4:00 pm we will get a chance to do just that.  The Guqin / 古琴 is one of the most ancient and recognizable of all Chinese instruments. The Guqin was played by scholars and poets, generals and courtiers for literally hundreds of years. Master John Thompson / 唐世璋, a trained ethnomusicologist and student of the late Master Sun Yü-Ch’in / 唐世璋 has been performing “Historically Informed / 復古風格演奏” elements from the Guqin repertoire for several years and has earned a reputation as a scholar and performer held in high regards. From Master Thompson’s websites…

“John Thompson, with the largest recorded repertoire for the guqin silk-string zither, is certainly one of the most listened to players today: since May 2007 his website has averaged over 8,000 hits a day, many of them from people listening through China’s music download websites to his recordings, unaware that it is not a Chinese master playing their most ancient surviving music. In all, he has reconstructed and recorded over 200 melodies from 15th and 16th century guqin tablature, and his website complements each melody with extensive musicological, historical and philosophical commentary.

As a result, John Thompson is also the best-known musician giving historically informed performances of early guqin music. After a college degree in Western musicology (early music) and graduate studies in ethnomusicology, he began in 1974 to study the modern guqin tradition from Sun Yü-Ch’in in Taiwan. After moving to Hong Kong in 1976 to consult with Tong Kin-Woon he turned his focus to early repertoire, gradually gaining a reputation for the fidelity, fluency and feeling of his performances. In 1992 the National Union of Chinese Musicians invited him to Beijing as the focus of a seminar on reconstructing music from the earliest surviving guqin handbook, Shen Qi Mi Pu (1425 CE).

While based in Hong Kong as artistic consultant to the Festival of Asian Arts Thompson performed throughout East Asia, and published seven CDs of his musical reconstructions as well as four books of music transcription. Since 2001, when he moved to New York (and including 2009-2013, when he was based in Mumbai and Singapore), he has continued to perform, teach, research and lecture on the guqin, creating new music as well. His website,, is the most comprehensive English-language source of information on this instrument.”

With special thanks to Sifu Kerby Kuek from the Tai-Yi Daoism School for co-hosting this event.

This recital and talk is a FREE Hong Kong Sacred Spaces Society “Members Only” Event. If you are not already a member please see our Membership Application here for details. Membership will give you access to this and other exclusive Sacred Spaces Society Events. Please don’t hesitate to IM me if you have any questions.  For those who wish to attend please RSVP here or go to for further details.


Phoenix Reborn: Chu Jades Excavated from Hubei Exhibit Event Roundup

Phoenix Reborn: Chu Jades Excavated from Hubei

From those of you who did not get a chance to come with Hong Kong Sacred Spaces on our visit to Chinese University of Hong Kong‘s (CUHK) Art Museum to see the Phoenix Reborn Exhibit I’ve assembled a roundup post that includes some of the public materials published by the Museum as well as photos from Sacred Spaces members through the visit.  The exhibit itself was jointly presented with the Hubei Provincial Museum in Hubei, China and includes dozens of exquisite pieces of jade found at various archeological sites there dated to the Western Zhou Period (1046 to 771 BC/E).  You can also check out the Sacred Spaces Digital Libary with more specific information.  Click here for details.

If are in Hong Kong before the exhibition closes on February 25, 2018, I wholeheartedly recommend traveling to the CUHK campus, visiting the museum and viewing these beautiful pieces up close.

Heidi our superb guide

Sacred Spaces photos courtesy Jean Sicard 

Hong Kong Food Culture Series – Winter Wetlands Walk – Scouting Notes

Wetlands Walk – Winter

To help make things a little easier for everyone I’m posting details from my scouting trip to the Yuen Long Wetlands related to Hong Kong Sacred Spaces’s upcoming winter wetlands walk.  If you’re interesting coming along you can find the RSVP details here.

Yuen Long MTR Station, Exit G1

We’ll gather in this open space just inside the Yuen Long  MTR Station, Exit G1 to take attendance and create our trip “teams” or smaller groups of members to make travel on the final bus trip easier.  We’ll then be taking the Fairview Park Coach NR 93 (Trip fare is $6.80 as of 6 January 2018) to the very FIRST stop at Fairview Park.  The ride should take about 20 minutes.

First Fairview Park Coach Bus Stop

Look for the Esso Station across the street.

We’ll then exit Fairview Park and take a right on the next access road that we come across.  There is a Florist on the corner that looks like this…


…and there is also a Hardware Store on the opposite side of the road.

Hardware Store

After a 5 minute walk, we’ll come upon a sign for Tai Sang Wai Village which is our main destination.  Take a RIGHT at the fork.

Tai Sang Wai Sign

After another 5 to 10 minutes we’ll come to the Village.  It is important to note that on this portion of the walk the small road is VERY CONGESTED with heavy tracker-trailers and lorries EVERYWHERE so caution is a MUST.  After that, however, you’ll see this…

Tai Sang Wai Fishpond
Tai Sang Wai Fishpond

When we’re finished I would suggest that most people pick up the number 36 green minibus BEFORE we head to the main road as the GMB is likely to fill up quickly.  For those who don’t want to wait you can take walk back to Fairview Park to take the Coach to Yuen Long MTR.  If you do take GMB 36 remember that it stops at Sun Yuen Long Centre at the foot of a pedestrian flyover to YOHO Mall and therefor Yuen Long MTR Station.  The signs for the MTR are there but not easy to see from the road so keep an eye out and made sure you get off.

GMB 36

Hong Kong Food Culture Series – Winter Wetlands Walk

Wetlands Walk – Winter

For those of you who don’t know there are several ongoing initiatives here at Hong Kong Sacred Spaces. One of these initiatives is to delve more deeply into Hong Kong Food Culture.  Because much of our food comes from the marshy wetlands on the very Northern edge of the Territory it makes sense to get out and explore this region.  Think of all the yummy oysters and dried shrimps that we have here in Hong Kong and you’ll get a sense of how important these coastal areas are. Hong Kong Sacred Spaces has been planning a series of events to help people learn about our wetlands and the bounty that they provide. This series will include an array of events including walks, workshops, and tours all highlighting various aspects of this very important part of the Hong Kong foodways scene.  Most of the research for this Series has been generously provided by Professor Sidney Cheung from the Anthropology Department at Chinese University of Hong Kong (CUHK) and a local expert on the subject who literally wrote the book (actually several) on local foodways. Part of what he passed on to us is a series of seasonal walks that he and his students developed to help Hong Kongers enjoy the fertile northern wetlands from the perspective of the four seasons.


As a “first-step” in this engagement, we’ll start off the New Year right with a walk we’ll rather uncreatively call: Wetlands Walk – Winter that will get us up to Yuen Long 元朗 to explore a part of the wetlands area.


We’ll specifically keep an eye out for seasonal details documenting the changes that we see.  Spring, Summer, and Autumn have been scheduled or will be scheduled in the coming weeks and months.  I’m also working with Prof. Cheung to develop events specifically around topics like Soy cultivation and use as well as Oyster Farming so they’ll be lots to look forward to in the future.

The Winter walk will take place on January 6, 2018.  The group will gather at the Yuen Long MTR Station on the West Rail Line 西鐵綫.  Please click here for details.

Hong Kong Sacred Spaces visits Eric Fok’s art exhibit titled “Far East Chronicle”

Karin Weber Gallery
Far East Chronicle by Eric Fok

Please read the review of Eric’s Art Book published in 2016 by Wendi Song from the October 2016 edition of the Lifestyle Magazine Macau Closer

The book is available from Join Publishing (HK).


Artist Eric Fok has just launched his first book: Paradise When Antique Maps Meet Modern Cities

Jointly published by Join Publishing (H.K.) Co., Ltd and local magazine NEW GEN. Monthly, with publishing funds partly provided by the Macau Culture Bureau, local Macau artist Eric Fok’s new book, Paradise: When Antique Maps Meet Modern Cities, has just been launched and is now on sale in Macau, Hong Kong, and Taiwan.

Published in Chinese and English, with a first print of 1,400 copies, the new book features 60 selected pieces from over 200 pieces in Eric’s Paradise series, that he been working on since 2012.  Included in the book is a print of  his first-sale Paradise No.15Paradise No.11 and No.16  which were selected for the 50thBologna Illustrators Exhibition; the awarded piece Paradise No.20 of the Portuguese Orient Foundation; and the work Heung San O Lee Ba which he specially created for the 5th Macau Literary Festival based on the Festival’s theme: “Tang Xianzu in Macau”.

Eric has been using ancient western map styles to discuss the problems and issues that come along with the development of modern cities. On specially made brown drawing paper, Eric uses needle lines to depict the past and present of Macau, as well as some other post-colonial cities like Hong Kong and Singapore, and Taipei.

Like many local schools, Eric’s school didn’t really teach Macau history. His own interest in Macau’s history was trigged in 2012 when the gaming industry was booming and Cotai was full of construction sites. On one occasion Eric found an old map of Macau and noticed the coastline had changed a lot. It was quite a shock to him. Therefore, with many questions, he started to read relevant books, watch films, and go to libraries; he even tried reading Portuguese references, in order to search for the past of Macau.

“The city has been decaying and developing in turns; to review its history is also a rethink,” says Eric.

Eric then started to draw his own observations and thoughts about the city. Some of his works show an old map of Macau occupied by crowded casino shuttle buses, big casino buildings standing in the centre of the city two or three hundred years ago, a group of early Portuguese explorers from 1513 chasing after a taxi refusing to take passengers, or trying to get on a crowded bus…

In his Paradise series, Eric not only draws about Macau but also of some European cities from the Age of Discovery and other post-colonial cities. In doing so, the artist hopes to find some answers to his questions about Macau and to understand the development of other cities.

Also featured in his new book is a scroll named Paradise: Hong Kong. In this painting, Eric depicts when British merchant ships landed in Hong Kong over a hundred years ago, together with the present-day modern buildings alongside the Victoria Harbour. And if you look closely, you can see many tents on the bridge with journalists taking photos – a familiar scene of the protest movement that happened to the city two years ago.

“I wanted to draw about Hong Kong’s past and present, to examine the opinions about the Umbrella Revolution; it was a very important historical event,” Eric explains. “I was looking for solutions when I started to draw. I read each city’s developing stories; some teach you about the experiences, some teach you lessons. However, gradually I realized not everything is that simple and easy to change, especially when you do care about the city,” Eric comments emotionally.

“What can we do? What can we change? ” Eric writes in his book’s preface. “I confess that I do not have the courage to step up and protest, but perhaps I can record my thoughts and questions for this society and generation with my technical pen at best.”

Paradise: When Antique Maps Meet Modern Cities by Eric Fok

Text from From Karin Weber website…

Karin Weber Gallery is pleased to present artist Eric Fok’s debut solo exhibition in Hong Kong during the Hong Kong Art Week.

Following the tremendous success of his joint exhibition in our gallery last year, Eric returns to Hong Kong with exquisitely crafted works made on fine paper, wood and leather.  Delving into his own imagination, fantasies, knowledge of world history, antique maps and legends and careful observation of cityscapes, Fok converts the gallery into his personal library.  An eclectic collection of maps, records and objects are presented which chronicle the evolvement of cities following the Age of Exploration, postcolonial phenomenon and impact of migration of population in the Hong Kong context.

Maps existed before written words. Eric’s ‘maps’ have the capability to open worlds of reality and imagination.  They evoke hopes and fears.  They also pose graphic challenges as Eric strenuously draws on a very small scale, which entails formidable difficulty.

‘Wunderkammer’, ‘golden era’, ‘heritage’ and ‘paradise’ are the keywords of his eagerly awaited solo exhibition in Hong Kong.

About the Artist:

Eric Fok (b. 1990) graduated from the Macao Polytechnic Institute and currently lives and works in Macao and Taipei. Eric has taken part in many exhibitions in Macao, Taiwan, China, Portugal and Spain. His works form part of several prestigious public collections including the Macau Government Headquarters (Governor’s Palace), Cultural Affairs Bureau of the Macau S.A.R., Oriental Foundation, Macau Museum of Art, The Orient Museum (Portugal), University Museum and Art Gallery (HKU), and private collections in Hong Kong, Macau, China, Taiwan, Singapore, Italy, USA and United Kingdom.

Karin Weber Gallery



Two or Three Things I Know About Qipao, and the Women Who Brought It to Life

Qipao patterns
“Two or Three Things I Know About Qipao, and the Women Who Brought It to Life” – Priscilla Chan Exhibit Curator

In order to help Hong Kong Sacred Spaces members learn more about the classic Qipao / Cheongsam ( 長衫) and have some background information before attending our upcoming visit to the Hong Kong Film Archive’s Exhibit “The Stars, the Silver Screen, and the Qipao“, I am creating a series of posts that will act as a resource for further study.  Some of the articles like the one below will be a summary of the exhibit and of the curatorial and preservation work done for it while others will be slightly more in-depth and academic.  My hope is to have some workable resource pages for those who wish to study Qipao in the future. The following article is from the most recent Hong Kong Film Archives monthly newsletter.  I encourage you to read this bilingual newsletter as HKFA has proven itself to be one of the most impressive cultural organizations in Hong Kong covering not only Chinese Cinema but many other ancillary arts like costume design.

Images and text from the Hong Kong Film Archive

The 3 Ys “Ying, Yang, and You”

The 3 Ys “Ying, Yang, and You” by Sifu Kerby Kuek

The following videos were made during the “Ying Yang and You” lecture Sifu Kuek gave Hong Kong Sacred Spaces members.  It was the second in a series of events related to Daoism in contemporary life.  The “Three Ys” lecture was designed to connect our Daoism 101 class to more complex topics like Bagua 八卦 and authentic Feng Shui 風水.

More FREE events are planning for the weeks and months ahead so stay tuned!

Part 1


Part 2